CULTURAL LIFE
- Climate of PNG
- Constitutional Framework
- Cultural Events
- Cultural Institution
- Cultural Life
- Daily Life and Social Customs
- Decolonization
- Demographic-Trends
- Finance
- Education
- Economy
- Drainage-Soil
- History
- Health-Welfare
- Housing
- Justice
- Land
- Labour-Taxation
- Local-Government
- Media-Publication
- Manufacturing
- National Anthem and Pledge
- National Politics in the 1990s
- PNG History
- People – Ethnic Groups
- Plant and Animal
- PNG Public Holidays
- Political Process
- Postcolonial Politics
- Regional Relations
- Relief
- Religion
- Services
- Settlement Patterns
- Sports and Recreation
- Trade
- Transportation &telecommunications
Despite the penetration of the contemporary economy and media and the effects thereof on traditional cultural life, Papua New Guinea retains a rich variety of village cultures. These are expressed in the ways the country’s landscapes have been shaped over generations and in its people’s wood carving, storytelling, song, dance, and body decoration.
Carvings from the Sepik, Gulf, Massim, and Huon Peninsula regions are world famous. The best-known wood carvings come from the Sepik region, notably masks and crocodile figures that have religious connotations. Many sacred carvings from the giant men’s houses known as tambaran on the Sepik River have been sold and not replaced amid the decline of tourist traffic in the 21st century. In most areas only the older generations possess the skills for making traditional clay cooking pots, which are being replaced by metal pots and pans.
Across the country, wooden hourglass-shaped drums known as kundu remain essential for song and dance, especially during major national celebrations such as the anniversary of independence. Self-decoration, particularly for dance and rituals, remains important everywhere.
Traditional musical expression is an essential indicator of local identity, and contemporary shows offer new opportunities for presentation to diverse audiences. The annual shows at Goroka and Mount Hagen involve thousands of dance group participants, and they attract many thousands of spectators from across the country and overseas.
In urban areas painting on canvas has become a vibrant cottage industry for local artists that is patronized by tourists, resident expatriates, and the local middle class. A wave of nationalist creative writing was produced during the transition to independence and continues despite occasional periods of diminished activity, but formal theatre declined in the decades after independence. Street theatre sponsored by aid donors is often used in awareness campaigns ranging from electoral training to HIV/AIDS education. The cities, especially, support a vibrant youth music culture; many local bands support a thriving commercial recording industry, and their songs are played on radio and television.
Postal Address:
P.O Box 422, Waigani,
National Capital District (NCD)
Papua New Guinea (PNG)
- Central Government Office, Kumul Avenue, Waigani, N.C.D
- inquiries@dfa.gov.pg
- +675 301 4100
External Links
- Goverment Departments and Agencies
- Department of Prime Minister and National Executive Council
- Department of Planning & Monitoring
- Department of Treasury
- Department of Finance
- Department of Personnel Management
- Department of Justice & Attorney General
- National Parliament of Papua New Guinea
- Immigration and Citizenship Services Authority
- Papua New Guinea Tourism Authority
- Investment Promotion Authority
- Kumul Consolidated Holdings
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